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Amanda

Amanda

Lives in Amsterdam, Netherlands · Born on May 29, 1960
ABOUT ME
Bisexual bbw-slutwife cuckolding hubby since 18 years. Gradually discovered my strong natural desire for Dominant Black Males. Now Black-only slut. Since eight I have a live-in Black Master and Black Mistress who lend me out to their buddies and friends. Mistress convinced me to go off the pill as symbol of my ultimate submission to Black. As a result I have now three beautiful Black children in addition to my two grown-up white daughetrs who have followed mom's lead towards Black.
After my second Black delivery I gave up my former executive job with a US foundation in the field of education. Now basically stay-at-home mom and white slave to Mistress & Master. Work also as a part-time cleaning woman. Mistress thinks that to be appropriate position for a lowly white slave. Have gradually learnt to embrace her strong position.
Basic Info
Rating:
3 Ratings
Gender:
Age:
May 29, 1960
Location:
Last Login:
June 3, 2011
Member Since:
December 11, 2008
Membership:
Registered User Registered User
Profile Views:
2675
RSS Subscribers:
152
MOVIES
Der blaue Engel (The blue angel) (1930),
Morocco (1930),
Mädchen in Uniform (Girls in uniform) (1931),
Exstase (1933),
Hon dansade en sommar (One summer of happiness) (1951),
Una mujer sin amor (A Woman without Love) (1952),
Tystnaden (The Silence) (1963),
Blow Up (1966),
Jag är nyfiken - en film i gult (I Am Curious (Yellow)) (1967),
Belle de jour (1967),
Vampyros Lesbos (1970),
Stille dage i Clichy (Quiet Days in Clichy) (1970),
Decamerone (1971),
Behind the Green Door (1972),
Deep Throat (1972),
Last Tango in Paris (1972),
Le charme discret de la bourgeoisie (The Discreet Charme of the Bourgeoisie) (1972),
I racconti di Canterbury (Canterbury Tales) (1972),
Turks Fruit (Turkish Delight) (1973),
La Grande Bouffe (1973),
Film d'amore e d'anarchia (Love and Anarchy) (1973),
Hana to hebi (Flower and Snake) (1974),
Il Portiere di Notte (The night porter) (1974),
Trio Infernal (1974),
Emmanuelle (1974-1993),
Salò o le 120 giornate di Sodoma (Salò, or the 120 days of Sodom) (1975),
Pasqualino Settebelezze (Seven Beauties) (1975),
Histoire d'O (The Story of O) (1975),
Ai no Korīda (In the Realm of the Senses) (1976),
Cet obscur objet du désir (That Obscure Object of Desire) (1977),
Insatiable (1980),
Die Flambierte Frau (A Woman in Flames) (1983),
Blue Velvet (1986),
Nine 1/2 Weeks (1986),
Les Liaisons Dangereuses (Dangerous Liaisons) (1988/2003),
Thelma & Louise (1991),
Topāzu (Tokyo Decadence) (1992),
Bitter Moon (1992),
Basic Instinct (1992),
I Like To Play Games (1995),
Nawa Shi Jikenbo (The Bondage Master) (1996),
The First Wives Club (1996),
Gojitmal (Lies/Fantasmes) (1999),
Frida (2002),
Secretary (2002),
Girl Play (2004),
Going Under (2004),
Volver (2006),
24/7 The Passion of Life (2006),
Walk All Over Me (2007),
Dorei (New Tokyo Decadence - The Slave) (2007)
MUSIC
hip-hop, reggae, techno
BOOKS
Mallanaga Vatsyayana, Kamasutra (2nd - 3rd c.);
Giovanni Bocaccio, Il Decamerone (1349/53);
Jīn Píng Méi/The Plum in the Golden Vase (1610);
Abbé du Prat, Vénus dans le Cloître (1683);
John Cleland, Memoirs of a Woman of Pleasure (Fanny Hill) (1748);
Jean-Baptiste de Boyer, Marquis d'Argens, Thérèse Philosophe (1748);
Apologie de la secte Anandryne, ou Exhortation d'une jeune tribade (1784);
Marqis de Sade, Justine (1787), Juliette (1796);
Leopold Sacher-Masoch, Venus in Furs (1870);
Etonensis, The Mysteries of Verbena House, or, Miss Bellasis Birched for Thieving (1882);
Gynecocracy: A Narrative of the Adventures and Psychological Experiences of Julian Robinson (1893);
Pierre Louÿs, Manuel de civilité pour les petites filles à l'usage des maisons d'éducation (1917/27);
Virginia Woolf, Orlando (1928);
D. H. Lawrence, Lady Chatterley\'s Lover (1928);
Pauline Réage, Histoire d'O (1954);
Anaïs Nin, A Spy in the House of Love (1954);
Emmanuelle Arsan, Emmanuelle (1959);
Henry Miller, Tropic of Cancer (1961);
Pauline Réage, Retour à Roissy (1969);
Anne Rampling (Anne Rice), Exit to Eden (1985);
Sina-Aline Geissler, Lust an der Unterwerfung. Frauen bekennen sich zum Masochismus (Desire for submission. Women confess to masochism) (1990);
Vanessa Duriès, L'Étudiante (The Student) (1993/2007);
Gloria Brame, Different Loving: The World of Sexual Dominance and Submission (1996);
Claudia Varrin, The Art of Sensual Female Dominance: A Guide For Women (2000), Erotic Surrender: The Sensual Joys of Female Submission (2003);
Catherine Millet, La Vie sexuelle de Catherine M. (2001);
Mariyah Saalih, Harem Girl (2004);
Charlotte Roche, Feuchtgebiete (Wetlands) (2008)