As you might imagine, as a sex therapist, I hear from many clients with mother issues. Occasionally, some sort of literal sex is involved, though much more often, it’s “emotional ...,” with any and all sex taking place only in theerotic theaterof their minds. Common as it is, being a “mother lover” or “mom fetishist” can be a lonely, shame-laced life. Some may find validation for their desires in Freud’s infamous “Oedipus complex,” while mythology buffs may note that the Greek goddess Aphrodite and her ... Eros were lovers. But by far the most frequent cultural reference made is to the 1980 adult feature film TABOO (the first of the series), in which a suburban American mother seduces her older teenage .... More specifically, these clients are enthralled, sometimes to the point of obsession, with the performance of the actress who plays that mother, the sensuous, soulful and eternally maternal Aphrodite of porn’s Golden Age: Kay Parker.
Despite her fame, which has only spread with the world-wide availability of Taboo on the Internet, this iconic actress has been a woman of mystery for the past decade or so. Essentially, she has been focusing on her spiritual development, writing her memoir, TABOO: Sacred, Don’t Touch: An Autobiographical Journey Spanning Six Thousand Years (also available on her site) and staying out of the limelight.
So I’m delighted and honored to welcome former adult star Kay Parker—now spiritual guide Kay Taylor, aka author Kay Taylor Parker—into the RadioSUZY1 broadcast studios in Bonoboville at LAX for this live, in-depth, explicit, utterly engrossing and unprecedented interview which you can listen to for free at the link above or watch on DrSuzy.Tv (we’ll have the video of the interview—intercut with Taboo footage—posted in the next couple of days).
For Kay Parker fans, this is a must-see. In the course of our 90-minute one-on-one, Kay tells highlights of the story of her extraordinary life—so far. Though according to her book, she’s “incarnated approximately 182 times”—and that’s just since her arrival on Earth—we concentrate on this life. It begins in the “sad grey world” of Post-WWII England, the world that spawned the Beatles and Rolling Stones, where little Kay experienced much “frustration and a deep sense of not belonging.” Like many youth, Kay escaped her less-than-pleasant reality through fantasy, both on the big screen at the local cinema, where she had an out-of-body experience (OBE) watching Flash Gordon (a fellow Yalie who went off on a series of interplanetary adventures), and in the small screen of her mind, where astral beings beckoned and a voice whispered into her ear, “You are one of the chosen.”
Whether or not you believe in astral beings, if you’re one of the many viewers who will never forget Kay’s powerful performance in Taboo, you might agree that she is, somehow, “chosen” or destined to make her mark on some of the deepest, most conflicted recesses of the human imagination. Other episodes in her early years seem to have influenced her sexuality and her work. Not surprisingly, Kay had an intense relationship with her dashing daddy who was often away from home. One incident which she calls the “penis du père,” which she describes in detail on this show, involves accidentally seeing her father’s penis for just a few innocent moments before he realized he was naked and dashed away. This was a pivotal moment for sexual awareness when Kay’s father’s feelings of sexual shame virtually transferred themselves like a virus into his young ...’s impressionable mind.
Kay recalls another childhood occasion when she was examining her genitals, as most healthy children are inclined to do. But when her mother walked in, catching Kay in the act, she slapped her exploratory little hand and warned her to “Never let me catch you doing that again!” Talk about giving her the shame bug… This sort of transference of sexual shame from parent to ... has gone on in most human cultures around the world throughout civilized history. It’s one reason Taboo is so powerful, despite its farcical elements. It taps into primal, forbidden longings that simmer just beneath the surface of family life. Well, some families…
Taking a roundabout route through Europe, Kay split dreary Birmingham for sunny Southern Cali in the liberating tumult of the Sexual Revolution, and soon found herself having sex in her fateful first scene as a horny housewife who gets it on with a robot in Sam Weston’s Sexworld. She talks about her roles in several other adult films, as well as a small but distinctive part in The Best Little Whorehouse in Texas. But we keep coming back to Kirdy Stevens’ eerie Taboo, specifically the scene where Kay’s character, Barbara Scott, seduces her ... Paul.
What is it about this scene that’s so intense—not just for fans but for Kay herself? For one thing, as Kay reveals, her own family issues and unspoken desires, combined with her mixed feelings about doing the film in the first place, gave the material a personal edge. Second, Kay had unusually strong chemistry with Mike Ranger, the handsome 26-year-old who played her ... Paul, the electricity really crackling, since it was their first sex scene together.
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